Later that night, I went to the theater expecting a half full house. Instead, I quickly realized this was an invited dress- there was me, the theater teacher, two French teachers, and the staff at the MJC. I had no idea what I was in-store for...
Thank goodness for theater history and music history! There were so many inside jokes and historically relevant notes that will definitely go over the kids heads. It was 90 minutes with no intermission, NO MASKING (meaning, you could see the one person stage crew leaning again the wall the entire time), and NO PROPS. There was however, a one man orchestra/stage manager. That's right-the stage manager was the conductor and orchestra. Often times using garageband or some music program (like Sibelius) to play the music....from his Macbook....on stage.....
Occasionally he was also used as a messenger.
Let me move on to the costumes-this tech/music guy's costume was period correct as was Moliere's. His wife/daughter's (they're the same person, he married his daughter after the death of her mother/his first wife) costume was 1950s large polka dot skirt with black top, and Moliere's doctor wore a lawyer's robe. Clearly, they didn't have a budget. But yet, the few scenery pieces they had consisted of early 1900s womens undergarmets and hoop skirts on a rment rack. Why wouldn't she just change into any of these more appropriate clothing pieces.....
The set was just some pipe and drape seperating the main playing space and "Moliere's room" which was seperated by a red curtain hanging from the pipe and drape system.
Since the only thing it really had going for it was the lighting, there were times when it became a light show. But, with nothing interesting happening on stage, I was glad there was something good about this production.
Overall, it was a sad effort, I don't think I could ever sit through that piece again.
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